I. Widmung
Widmung is the first in the set of ten and serves as a quick introduction. The left hand is quick with shadowed arppegiated chords overlayed by a slow and quaint melody coming from the right hand. The interesting thing with Dohnányi is how he uses minor chord changes to build up a tonal progression. I think this is very similar to a lot of Rachmaninoff's piano pieces sans the difficulty and craziness!!
II. Marsch der Lustigen Brüder
The second piece of the set is a definite march! With a steady beat and the constant 8th-16th note pattern, it feels like you are watching a militant parade marching down the streets of a small German town. True to the composing style of a march, there is a quiet and melodic section in the middle, much like a trio. I took the liberty of adding a lot of color to this part since it was a "break" from the marching. A lot of heavy yet colorful chords, especially toward the end, and definitely a lot of fun to play!
IX. Morgengrauen
The second to the last piece in the set is an immediate switch to a somber and reflective tone. Throughout the piece is a constant pattern of octaves with the same rhythm. It makes me think of waking up on a rainy day to the sounds of an old church bell in the distance. I feel like this piece of the set symbolized the ending of something... maybe someone as they become close to death, or possibly the ending of a cold and dreary winter. Either way, the piece has a small yet reflective climax, followed by the repeating the somber octaves, but then ends on a major chord. If Ernst ended the set with this, it would leave you with the sense of a lack of closure. I think that's why the last piece starts on the same chord. I wanted to separate these two videos for youtube, but in a live concert, I think they belong together with no pause. Feel free to listen to the last piece directly after this to see if you can hear the connection!
X. Postludium
I LOVE this piece for so many reasons! I remember playing this as a kid and thinking how much I liked it, but wished it was longer. Little did I know that later on I would find the entire set of pieces that belong with Postludium. The piece previous to Postludium ends on a G major chord. Postludium begins on a G suspended 4 chord which doesn't resolve until eight measures into the song. This Ernst guy is pretty rad for that! Even though this is a short piece around two minutes, it feels like this constant build up to the climax which is a grand reprise of the first theme. It ends with three chords and in the score Ernst wrote A-d-e (one letter per chord) meaning farewell in German. What a perfect way to end this awesome set of ten pieces - Ernst is seriously the man!!!**If you are viewing this blog as a Note on Facebook and can't see the videos, go to the following link:http://globalfoodandmusicproject.blogspot.com/2010/05/winterreigen-winter-collection-piano.html
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